thepacegallery: Carsten Nicolai, “syn chron”, 2005. Interior view of installation at Neue Nationalgalerie, Berlin, Germany. © Uwe Walter. Courtesy: Galerie Eigen+Art, Berlin/Leipzig and The Pace Gallery/VG-Bildkunst “Across the artificial divide seperating the worlds of music and art, Carsten Nicolai, aka Alva Noto, is known for an aesthetics of precision: the form of the artist’s stripped-down sound and design installations often follows a scientific function, playing with and altering viewers’ audio-visual perceptions…”  (via Hans Ulrich Obrist talks to Carsten Nicolai) thepacegallery: Carsten Nicolai, “syn chron”, 2005. Interior view of installation at Neue Nationalgalerie, Berlin, Germany. © Uwe Walter. Courtesy: Galerie Eigen+Art, Berlin/Leipzig and The Pace Gallery/VG-Bildkunst “Across the artificial divide seperating the worlds of music and art, Carsten Nicolai, aka Alva Noto, is known for an aesthetics of precision: the form of the artist’s stripped-down sound and design installations often follows a scientific function, playing with and altering viewers’ audio-visual perceptions…”  (via Hans Ulrich Obrist talks to Carsten Nicolai)

thepacegallery:

Carsten Nicolai, “syn chron”, 2005. Interior view of installation at Neue Nationalgalerie, Berlin, Germany. © Uwe Walter. Courtesy: Galerie Eigen+Art, Berlin/Leipzig and The Pace Gallery/VG-Bildkunst

“Across the artificial divide seperating the worlds of music and art, Carsten Nicolai, aka Alva Noto, is known for an aesthetics of precision: the form of the artist’s stripped-down sound and design installations often follows a scientific function, playing with and altering viewers’ audio-visual perceptions…”  (via Hans Ulrich Obrist talks to Carsten Nicolai)

(via proofmathisbeautiful)

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